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Here the sound comes with its gestures: everything the music is made of, to see and to hear.

Eleonora Congiu reading from the score at the pedal harp, in black and white
Eleonora Congiu seen through the strings of a gilded pedal harp
Eleonora Congiu reading from a score at the pedal harp, blue strings in the foreground
Eleonora Congiu seen over the shoulder at the pedal harp with the score in front of her
Eleonora Congiu at the harp seen from behind, with a seated audience in front of her
An orchestra on the open-air stage at Ravello above the sea at dusk
A full orchestra on the platform of a modern concert hall
Eleonora Congiu standing with her pedal harp under a glazed iron and stone portico, seen from below
Eleonora Congiu smiling with her arms crossed beside her pedal harp
Eleonora Congiu smiling, framed between the strings of her pedal harp
Eleonora Congiu playing her pedal harp outdoors on a path lined with autumn trees
Eleonora Congiu standing at her pedal harp on a leaf-covered path, looking back over her shoulder
Eleonora Congiu with both hands on the strings of her pedal harp outdoors among autumn trees
Eleonora Congiu lifting the padded cover from her pedal harp under a stone colonnade

Now playing

Miyagi: Haru no Umi (The Sea in Spring) Zéphyr Duo. Written in 1929 for koto and shakuhachi, moved here onto Western strings and air.

Zéphyr Duo

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